Last year, I became very sick. According to my medical files, I was dying when I arrived at the hospital. I had no idea how serious it was—I just thought I had the flu and felt unusually weak. I woke up days later on a ventilator in the ICU, completely unaware of where I was or why I was there. It was the sickest I have ever been and the longest character-building recovery I have faced. My mum would know best, I doubt she would contest but she isn't here for me to ask.

My siblings and extended family had to go through it all from afar because I am here in Italy alone. The hospital staff and my colleagues stepped in to help me in ways I never expected. It was so serious that one of my brothers had to eventually travel here and help me for almost three months. I will never be able to thank them all enough. They saved my life and cared for me with so much kindness and grace.

Like many others, I avoided thinking about it. I foolishly thought I still had time. But remembering how quickly and 'quietly' I almost went to meet my Maker last year has made me realize it's time to start having those discussions. This experience made me reflect on my own death—not death in general, just mine.

If I die in another country, should my family pay to bring my body back? What options do they have? Please God, when you decide to take me, let it be when I am back home.

In Uganda, people attend funerals whether they know the person or not. Grief is a community activity. How will they feed people at mine? What about the tents and white plastic chairs? Food, the ladies who cook, tents and chairs can be expensive. And what about the prayers and the vigils?

Who should inherit what, and do they know where everything is?

I would appreciate the prayers and one good small mass, but I wouldn't want unnecessary money spent that could be used elsewhere. The current economy is tough one.

It's time for me to start having these conversations and begin writing a will.

What about you? Have you thought about these things yet? I know.... it's an awkward question, so no need to share in the comments, but do take some time to reflect.

I dove in with zero knowledge of the novel/webtoon or animated series... just the online hype, and honestly, the whole experience turned out to be a nice surprise.

Wang Cui Hua (Wang Chu Ran), a workplace rookie, is suddenly transported into a novel, where she meets fellow transmigrator Xiahou Dan (Cheng Lei), the emperor. Together, they struggle to survive shifting alliances and dangerous schemes, all while facing a prophecy that only one of them will live to see the world they hope to create.

The lead couple completely won me over with their jokes, honest giggles, and clever schemes to save the country.  The hot pot scenes and secret passages were fun. Poor Mr. Bei (Cui Yi and Louis Fan ) and An Gong Gong (Cheng Jun Hao) ...they really put them through it, which had me laughing a lot. Wang Chu Ran captures the essence of her character extremely well despite us not knowing much about Wang Cui Hua's life in the modern world. Cheng Lei smoldering eyes and charismatic wink are his super power. After enjoying this drama, I’ll definitely be on the lookout for their next lead roles.  

Btw the female lead’s costumes were stunning—I suspect that’s where most of the budget ended up!

I loved how the story shifted from lighthearted comedy to deeper emotional and dramatic moments, especially with the emperor’s backstory and the band of misfit heroes (Una You, He Lei, Xie Ze Cheng, Zhang Rui Han and Ji Xiao Fei) working together to save the country. Luo Zi Shuo did a fantastic job portraying the young emperor’s loneliness and hopelessness, adding real depth . I appreciated that each misfit hero had their own story, battles, and challenges, and I was genuinely gutted when most of them didn’t make it. That part of the show kept me hooked until the end, though I wish the budget had allowed for a truly epic final battle.

The main villain, the Prince Xiahou Bo, felt half-baked to me. His backstory and motivations were revealed far too late, making his character fall flat. In fact they did a better job of explaining and building tension around Prince Tu Er (Li Mu Feng). Xiahou Bo ended up as the conveniently evil figure the story needed, but he never felt like a fully realized character. Even his chemistry with Consort Xie (Hu Yi Xuan) was missing. The fact that the prince had so much clear and open access to the Emperor's harem was a little questionable to me. Hugging, touching even kissing them in open spaces seemed to not be well thought through by the screen writer or the director given the Emperor's reputation as a 'tyrant'. It’s a shame, because I’ve enjoyed Tang Xiao Tian in other shows, but something just didn’t click here.

The Empress Dowager, on the other hand... wow what a show... good job to Ma Su . I was scared of her.

There were times when this drama really hit the mark, especially when it stopped trying too hard to be funny and just focused on storytelling. For example, our lead couple's plans do not always succeed and living in this fictional world is dangerous...there are often fatal consequences to impulsive or emotion-driven actions. But there were also moments where things just didn’t come together, like the opening episodes with their over-the-top humour or the last episode, which was tough to watch. What happened there? They had a whole episode to wrap things up and deliver a satisfying ending, but I’m still not sure what we got. And when the Empress was on the run, her bodyguards kept calling her 'Your Highness' around other people even during a scene where royal soldiers were searching through houses in a small village looking for her—how did no one catch that during filming?

I enjoyed this drama, but it left me feeling like I need a break from shows like this, where modern people are dropped into fictional worlds (what the emperor went through was traumatic😓). Would I recommend it? I am not sure. That’s up to you—I have shared my thoughts --- decide if you want to watch...

I watched it on IQIYI.